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In Philippine lower mythology, the Kapre is portrayed as a gigantic tobacco-smoking creature that usually resides in large bushy trees, terrorizing people who happens to come close during nightime. People who go into wake or haranas are usually the ones who see Kapre at night.
The comics pages that we hold in our hands are literally artworks that have been printed on paper. Prior to printing, these comics pages are known as original comic art, expertly drawn by the illustrator to visualize the writer’s story.
During the heyday of the komiks industry in the Philippines, the komiks was the Filipinos' national book. It had imbedded its heels, so to speak, in the Filipino consciousness.
J.M. Perez is one of the pioneer and all-time prolific cartoonists of the Philippines. Although he had less work after the war, his cartoon works in the pre-war Liwayway offered a fascinating look at Philippine culture of the roaring 30's. In 1984, he was one of the awardees of the Komopeb's (Komiks Operation Brotherhood) Lifetime Achievement Award. The other awardees were Tony Velasquez, Francisco V. Coching, Mars Ravelo, Francisco Reyes, Jose Zabala-Santos, and Larry Alcala.
I should have written this as a reply to the comments on my previous post re "On Reviving the Komiks Industry", but I'd rather make it into a new post because of its length.
When I said we should go back to the times when beautiful comics were being produced, I did not mean that all present artists should emulate the style of the old komiks masters.
As Tony Velasquez lived his retirement years in the 1990s, he witnessed the continuous decline of the komiks industry in the Philippines. It was in such a sad state that he knew he could no longer do anything about it. The task belongs to the new breed of artists, writers, editors, and publishers.
In 1963, Pablo S. Gomez, a top komiks writer of the defunct Ace Publications, founded his own komiks publications. He named the company after his initials, the PSG Publications.
The fall of the giant Ace Publications in the early 1960s led a group of highly talented Ace illustrators to start their own komiks publishing company.
These illustrators were Nestor and Virgilio Redondo, Alfredo Alcala, Amado Castrillo, Tony Caravana, and Romeo Francisco. They named their company CRAF Publications, which is a combination of their surnames' initials. Later on, another talented artist, by the name of Jim Fernandez, joined CRAF.
The Golden Age of Komiks and Movies in the Philippines (1946-72)
Since Komiks was a popular form of entertainment in the Philippines, several film producers decided to transform many komiks stories and nobelas into movies.
In 1946, the first regularly published Philippine komiks-magazine was born: the Halakhak Komiks.
Onomatopaeic for guffaw, the Halakhak was published out of the initial efforts of Isaac Tolentino and Atty. Jaime Lucas.
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