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Cast of Prinsipe Amante (LVN Pictures, 1950). In full Eastman color.
Rogelio dela Rosa as Prinsipe Amante
Delia Razon as Prinsesa Elena
Ben Rubio as Rodrigo
Lila Luna as Lisa
Eliseo Carvajal as Haring Falcon
Naty Bernardo as Reyna Regina
In the olden days, when the almighty Television had not yet invaded the privacy of our homes, the komiks and the radyo-nobela were the favorite pastimes of the Filipinos.
Komiks had been an influential part of my childhood. My Tatay taught me how to read through komiks, and I learned easily and excitingly because I love the drawings in them, in contrast to my elementary textbooks that are not only hard and boring to read, but its scant drawings were unattractive and amateurish.
I remember that during lazy afternoons, I would be forced to sleep by my strict Lola, but not before we tuned in to our favorite afternoon radio show, Prinsipe Zimatar, aired over DZRH. After that, I would sleep with my eyes half-open, actually pretending to sleep, since I was jealous of the other kids I hear playing outside. Oh those were the days...when my Lolo and Lola were listening to Paeng Yabut's archive of old kundiman songs...
A few months ago, a copy of Action Comics #1 had been auctioned off in eBay. Although the seller did not put a reserved price, at the end of the auction the comics reached a staggering amount of 45,000 U.S. dollars, despite the fact that the copy is not a very nice one and had been graded only 4 by CNC. The reason why this comic book is so expensive is because it is the first true Batman comic book, wherein the caped crusader first appeared.
Happy Halloween!
In Philippine lower mythology, the Kapre occupies a fascinating niche among the dark creatures of the night. The Kapre is invariably described as a gigantic man-like creature who had a passion for smoking tobacco. It is said to usually reside among tall and bushy trees just like the much dreaded Balite tree. According to old folks, the Kapre usually terrorizes bypassers at night, who happened to cross his tree while on the way to wakes, or going to haranas.
In the story below, Alex Nino illustrated his conception of how the Kapre looked like. This story was written by Carlo J. Caparas, and it was published in Pablo S. Gomez' United Komiks in late 1960s. This story is actually an episode of a very popular series in United Komiks called "Mga Kuwento ni Bruhilda"(Tales of Bruhilda Witch).
Vincent Kua's most famous komiks strip was Pokwang: Ang Maarteng Anak ni Aling Kikay. The author's hilarious byline was "Nagkakamot ng bukong-bukong na magdamag na binurire ni Vincent Kua, Jr."
In the 1980s and well into the 90s, Vincent proved to be one of the Philippines most popular writer/illustrator. He was a master of genres, particularly, period horror and historical romance. His drawing style was best loved by komiks readers because the characters he created were Venuses and Adonises: beautiful, handsome, cute, but not stone figures. They seemed to become movie stars in komiks, and people loved to see them grace the pages of their beloved komiks.
Last night, while browsing through Gerry Alanguilan's pictures of the Komikon in his website, I was wondering why Vincent Kua, Jr., was not able to attend the event, since three days ago, he himself told me he would attend the event. I was not available for the Komikon so I asked Vincent to just say hi to our old pals there.
Then, in a few moments, I received a text message from Randy Valiente, telling me that Vincent Kua had died on the previous night, apparently of stroke. I literally had goosebumps since one moment, I was thinking about Vincent, and then the next, learning that he had died.
This is me and Gerry Alanguilan at the recently held First Philippine komiks Convention or KOMIKON at the UP Bahay Alumni. That's the Humanis Rex poster we are holding, a sci-fi adventure comic strip by Gerry that is currently being serialized monthly in Fudge Magazine.
The Komikon was teeming with people of all ages, a proof that the old spirit of the Komiks is still very much alive in the Filipino consciousness. Of course, the dominant word you could hear there is the word "komiks". It's like a picnic, a get-together, a reunion. With all people of the same interest and hobby gathering and sharing their artworks, ideas, and lighthearted fun.
As a komiks collector, I know for a fact that comic art has a distinctive quality in it that firmly identifies its artist. Like painting, there are some specific things to be considered in identifying an art, the brush/pen strokes, cross-hatchings, a certain tilting of the figure, paneling, montage, shadowings, a certain look of the faces of the characters, etc. Hence, a person familiar with comic art of several artists can, with little effort, identify an art done by a particular artist even though in komiks art there have been some artists who imitated certain strong artists like Redondo or Coching.
Here's another vintage Philippine komiks from the year 1950, Mabuhay Komiks, with an awesome cover art by illustrator Hugo Yonzon. Previously, in the earlier issues, it was Tony de Zuniga who illustrated the novel, with Yonzon taking over in issue number 7.
Together with Fernando Amorsolo, Jose Pereira, and Irineo Miranda, Jorge Pineda belonged to the first generation of Filipino cartoonists to have emerged during the early years of the American occupation.
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