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Although Ace Publications dominated the Philippine komiks industry in its early years, it did not monopolized komiks production because other publishers began to venture into komiks publishing as well, inspired by Ace's sucess.
The first publisher to break Ace’s monopoly in komiks publishing was Silangan Publications. In early 1950, it published the Silangan Komiks, the fourth komiks magazine in the Philippines, after Halakhak Komiks (1946), Pilipino Komiks (1947), and Tagalog Klasiks (1949). The Silangan Komiks was a few months older than the Hiwaga Komiks.
One morning in May of 1947, Tony Velasquez received a call from Don Ramon Roces, publisher of the Liwayway. The publishing magnate wanted to publish comics-magazines, and he wanted Velasquez to manage it.
Said Velasquez: "I did not give him a chance to change his mind. I immediately jumped at his offer. Even before his call, I was already toying with the idea of publishing komiks-magazines. So I thought Don Ramon was heaven's reply to my dream"
Don Ramon Roces’ figure loomed large in the history of popular publishing in the Philippines. If Tony Velasquez is recognized as the “Father of the Tagalog Komiks”, then Don Ramon Roces should rightfully be called its “Godfather”.
Of Spanish ancestry, Don Ramon came from an illustrious family that became prominent in the publishing business. His father, Don Alejandro Roces, Sr., was the recognized father of modern journalism in the Philippines.
In 1916, Don Alejandro purchased the fledgling Spanish language daily La Vanguardia and the Tagalog Taliba from their original owner Don Martin Ocampo.
The La Vanguardia was the descendant of El Renacimiento, a newspaper edited by Teodoro M. Kalaw, but the latter had to close it in 1923, in relation to the infamous libel suit filed by the American Dean Worcester.
This is a specimen of the earliest issue of Tagalog Klasiks (isinalarawan), dated July 16, 1949.
Contents of this comics include:
-Isang Libo't Isang Gabi sa Arabia (One Thousand and One Nights).
Here is an all-star caricature of the pioneer cartoonists of Pilipino Komiks. This wonderful page was drawn by Jose Zabala-Santos.
One of the light-hearted illustrations Nino had drawn for Pablo S. Gomez' novel "Ang Akin ay para sa Lahat", during their tandem years in Gomez' PSG Publications.
I am such a big fan of King Kong that when a friend offered me an old Tagalog komiks with a King Kong cover, I just couldn't refuse, even if the price is way high on my budget.
At last, I have found a copy of one of the most important comic strips in the history of Philippine komiks: Carlos "Botong" Francsico's Siete Infantes de Lara!
Serendipity indeed plays a major part in the building of my komiks collection, just as when the times I rediscovered the original first issue of Varga/Darna, (now happily enshrined in the Darna Website), the first issues of Kenkoy (now happily reprinted), Coching's Alamid, or Lib Abrena's Ipu-Ipo.
Philippine Cartoons during the Japanese Occupation
(Note by the author: I have written this essay a few months ago. I have hardly have time to edit it so I beg your compassion if there are errors in grammar and composition. I have tried with great care to avoid errors in historical facts as they could be very hard to correct once read by people. This article is a much-shortened version of the 30 plus page I have originally written. My plan is to make this into a weekly installment article in this blog. People just tend to get tired easily reading long articles in the internet.
It is virtually impossible to trace the copyright owners of the images that will appear herein. What I have in mind is to make this blog a humble contribution to the growing awareness of our rich komiks heritage. Of course, everyone knows that a blogger receives nothing financially, so I ask the indulgence of everyone concerned)
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