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This original page captures all the classic hallmarks of an Alfredo Alcala comic art.
One of my most favorite pages in my collection of original comic art: Alex Nino's first published artwork in the Graphic Arts Service, Inc.(GASI), circa 1966. In this amazing page Alex had summoned all the dark creatures of Philippine lower mythology for a story concepted by the Father of Philippine Komiks, Tony Velasquez.
Two of my most favorite comic books are “Wasted” and “Ang Kagila-gilalas na Pakikipagsapalaran ni Zsa Zsa Zatturnah”. I remember I bought my first copies of these comic books in Comic Quest sometime in November 2003.
Back then, I was wondering if I could find newly-published local comic books by Filipino artists, since most of the big-time artists have gone abroad to work in foreign publications. So when I found Wasted and Zsa Zsa Zaturrnah displayed in Comic Quest, I bought them immediately.
Wasted was the creation of a very talented artist who, even at that time, was earning praise for his inking works in such prestigious titles as X-Men, Stone, Wetworks, High Roads, and Superman Birthright. His name was Gerry Alanguilan. Wasted is a comic book which I would like to call “classic”. It is one of the most violent and saddest stories I have ever read. It is a story of man who had lost his self-respect and went about in homicidal rage to avenge his frustrations against the world. My favorite scene in Wasted is the slow-motion fall of Eric from the building, after being hit by a sniper. Eric's panel by panel poetic epistle to his girlfriend Jenny-read as he falls from the building-was so dramatic and emotional. It is one of the most heart-rending letters I have ever read.
“KENKOY is the Philippines’ first true pop icon. He is a ludicrous portrait of the Filipino…pathetically trying but barely succeeding in keeping up with his American mentors”—Nonoy Marcelo
KENKOY: 1. Isang nakakatawang karakter sa Komiks na nilikha noong 1929 na may maluwang na pantalon at plastadong buhok. 2. Isang mapagpatawang tao. – U.P Diksyunaryong Filipino, University of the Philippines Press
INTRODUCTION
A year ago, I acquired this hitherto still unpublished work by Tony Velasquez entitled "Komiks in the Making" . Written and photographed by Tony Velasquez, this work is composed of 20 pages and personally bound into book form by him, sometime in the early 1960s during his term as General manager of the Graphic Arts Service, Inc.,(GASI).
I am featuring it now in this blog, with the gracious permission of Mrs. Pilar Velasquez.
In comic book publishing, the writer and the artist are considered the main creators of a komiks, yet there are many other people involved in its production, especially if the komiks has a large printing order, such as the GASI komiks (Pinoy Komiks, Pinoy Klasiks, Aliwan, Holiday, Pioneer, Teens Weekly).
Here is a cool vintage original art page from Halakhak Komiks (1946): Francisco V. Coching's Bulalakaw, presumably the first male comic character he created. I think Bulalakaw is earlier than Hagibis by a few months.
I just loved the way Coching had drawn Bulalakaw! I could see a great improvement of his style here than his pre-war Marabini, although the latter is also very well illustrated.
I received communication today that the reprint of the 1934 "Album ng Kabalbalan ni Kenkoy" is already out of stock in National Bookstore and Filbar's. Anyway, for those of you wish to buy a copy, and would like to read the first comic book printed in the Philippines , there are still a few copies left with me. You can contact me through my cellphone number 09155766643 or email me at [email protected].
The image featured above is its original printed cover. Originally priced at 30 centavos a copy, this comic book was first launched in 1934, written by Romualdo Ramos and illustrated by Tony Velasquez. It is a compilation of the early Kenkoy comic strips from 1929-34.
The fabled world of the Philippine Jungle-lord comic strip was created by Francisco Reyes, one of the pioneer Filipino comic illustrators.
Prior to his career as a comic artist, Reyes was a student at the UP School of Fine Arts, where his artworks greatly impressed his teacher Fernando Amorsolo. He won several awards in many art competitions.
Upon graduation in 1932, Reyes joined the Liwayway, where he served as a junior artist under Tony Velasquez. Later on, Reyes became the first art teacher of the young Francisco V. Coching.
On July 7, 1933, Reyes, in collaboration with writer Pedrito Reyes, created Kulafu, which was the first colored adventure strip, as well as the first two-page comic strip in the Philippines.
Alfredo Alcala is one of my favorite komiks illustrators.
I have never met him in person since even before I started collecting old komiks, he was already living in the United States. Yet, through my frequent talks and casual conversations with his friends here in the Philippines, I was able to gather some interesting anecdotes about this highly talented illustrator.
I recently looked up at the website Lambiek.net and found to my surprise that the biography of the Father of Philippine Komiks, Tony Velasquez, was not included in their profiles. Since there are literally thousands of comics artists in the world (past and present), the Dutch website usually relies on information given to them by artists themselves, or artists' families or friends.
Anyway, I immediately composed a capsule biography of Tony Velasquez and emailed it at Lambiek's listed email address on October 27, two days prior to the 95th birth anniversay of Tony Velasquez. For further references about Tony Velasquez, I sent lambiek a link to this blog as well as a link to Gerry Alanguilan's Komikero website.
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