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Pilipino Funny Komiks started me into collecting Tagalog komiks. Back in the 1970s, my father used to buy all sorts of Bugs Bunny and Batman comics being poorly reprinted by National Bookstore, hoping I could easily learn to read English. But I never liked reading them. In fact I have a bunch of them in my bookshelf now which I will gladly give away to anyone who will take care of them.
As an identification guide, I will regularly feature in this blog some of the rare pieces in my collection of Philippine comics.
"Komiks" from the 1950s and 1960s are especially hard to come by, as even local antique shops do not carry an inventory of them. Unlike in America, where they have catalogues of all their known published comic books, the Philippines has no such publication in existence.
Sonny Trinidad is one of the all-time great illustrators in Philippine comics history. As one of Marvel Comics' mainstay Conan artists in the early 1970s, Trinidad proved himself one of the favorite Filipino artists of the great John Romita Sr.(then editor of Marvel Comics) and John Buscema, whose pencils he frequently inked over.
In Philippine lower mythology, the Kapre is portrayed as a gigantic tobacco-smoking creature that usually resides in large bushy trees, terrorizing people who happens to come close during nightime. People who go into wake or haranas are usually the ones who see Kapre at night.
I am such a big fan of King Kong that when a friend offered me an old Tagalog komiks with a King Kong cover, I just couldn't refuse, even if the price is way high on my budget.
Vincent Kua's most famous komiks strip was Pokwang: Ang Maarteng Anak ni Aling Kikay. The author's hilarious byline was "Nagkakamot ng bukong-bukong na magdamag na binurire ni Vincent Kua, Jr."
Here is another vintage Kenkoy strip from my archive of Philippine cartoons from a 1929 issue of the Liwayway.
One of my grandest plans in life is to build a museum of Philippine cartoons which would mainly showcase the works of the pioneer cartoonists of the Philippines like Jose Rizal, Fernando Amorsolo, Jorge Pineda, Jose Pereira, Irineo Miranda, Izzy Izon, Jose Zabala Santos and of course, the Father of Philippine Komiks, Tony Velasquez.
This is a satirical cartoon that appeared in the October 26, 1907 issue of the Lipang Kalabaw comic-magazine. Signed by La Ignation, a pseudonym used by artist Jorge Pineda, this cartoon provides a glimpse of history in the early years of the American Occupation.
Determined to transform Manila from a tawdry Asiatic port into a model metropolis, the Americans enforced strict sanitation regulations that angered Manilenos.
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