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Here is another vintage Kenkoy strip from my archive of Philippine cartoons from a 1929 issue of the Liwayway.
One of my grandest plans in life is to build a museum of Philippine cartoons which would mainly showcase the works of the pioneer cartoonists of the Philippines like Jose Rizal, Fernando Amorsolo, Jorge Pineda, Jose Pereira, Irineo Miranda, Izzy Izon, Jose Zabala Santos and of course, the Father of Philippine Komiks, Tony Velasquez.
Arguably the most influential comic strip in the history of Philippine Komiks, Mga Kabalbalan ni Kenkoy was created in 1928 by eighteen-year old Tony Velasquez, in collaboration with Tagalog writer Romualdo Ramos. Kenkoy, the lead character of the strip was the first true pop-icon of the Philippines, and it was from his foibles and antics where an aging generation of Filipinos today received their first laughs from the komik strip.
In 1931, a young politician named Manuel Roxas founded a society called the New Katipunan, which encouraged the Filipinos to turn their eyes back to their country instead of being too “Americanized”. Many people however, took note that Roxas addressed his New Katipuneros in English and wore woolen americana suit.
In the early 1970s, a little after Tony Velasquez' retirement as GASI general manager, GASI experimented with a new type of komiks which would remove illustrators from komiks production: the Photo-Komiks.
Not many people know that aside from being the Father of Philippine Komiks, Tony Velasquez was also the Father of Philippine Cartoon advertising. Originally, in1927, 17-year old Velasquez was employed by Banaag Press, to design labels for commercial products. Then in 1928, Banaag Press was purchased by the Roces Publications owned by Don Ramon Roces. It was in the same year when Velasquez created Francisco Harabas, a.k.a., Kenkoy, in the pages of the Liwayway.
Noong ang Pilipinas ay nasa ilalim pa ng pamamahala ng mga Kastila ay mayroong isang prayleng dominikano ang lubos na naging mayaman dahilan na rin sa matalinong pangangamkam ng mga lupain ng mga inosenteng indio. Tumaba ng husto ang prayleng ito at gayon na lamang ang inilaki ng kanyang tiyan kaya't siya'y palihim na tinutukso ng mga indiyo na "Prayle Botiok" gayung ang tunay na pangalan niya ay Gaspar. Lumipas ang mga ilang panahon ay nabahala na si Prayle Botiok sa patuloy na paglaki ng kanyang tiyan, at tuloy ay nagpanukala na kumunsulta sa mga dalubhasang duktor sa Maynila.
Somebody offered me this old specimen of Silangan Komiks for 2000 pesos. Even as a hardline vintage komiks collector, I admit it is a little way beyond my budget. But this is a 1950 komikbook with a marvelous Coching cover, so how can I pass? After a little haggling on the price, I finally got it for 1750 pesos. I am very happy.
This is a satirical cartoon that appeared in the October 26, 1907 issue of the Lipang Kalabaw comic-magazine. Signed by La Ignation, a pseudonym used by artist Jorge Pineda, this cartoon provides a glimpse of history in the early years of the American Occupation.
Determined to transform Manila from a tawdry Asiatic port into a model metropolis, the Americans enforced strict sanitation regulations that angered Manilenos.
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