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During the Japanese occupation (1942-44), Tony Velasquez created a series of cartoons called “The Kalibapi Family” published weekly in the Japanese-controlled Tribune newspaper. These cartoons told the everyday life of a typical Filipino family in Manila during the Japanese occupation, and as such, should supposedly portray the new social order of the Philippines under the aegis of the Japanese Empire. The Japanese knew well the influence of cartoons on the mind of people, and they intend to utilize it to propagandize their occupation agenda.
La Bamba is a serialized comics novel written by Pablo S. Gomez( who used the pseudonym Rene Rosales) and illustrated by Alex Nino in Planet Komiks in 1972.
As an admirer of comic art, I have familiarized myself with the drawing styles of great Filipino comics artists. These Filipino comics artists have made a name not only in the Philippines but also throughout the world where their names grace some of the most popular comics in the United States.
Sonny Trinidad is one of the all-time great illustrators in Philippine comics history. As one of Marvel Comics' mainstay Conan artists in the early 1970s, Trinidad proved himself one of the favorite Filipino artists of the great John Romita Sr.(then editor of Marvel Comics) and John Buscema, whose pencils he frequently inked over.
I consider Emilio Rodriguez' comic adaptation of Ang Kasaysayan ni Moises(The Story of Moses) one of the finest illustrations in the history of Philippine comics. Indeed, even Tony Velasquez, the Father of Philippine Comics, said that he considered Rodriguez at the top of his form when illustrating the Moses series.
The setting is the town fair or “Perya” or “Karnabal” in the Philippines. A holdupper kills a man and he is chased by the police. He finds that the best way to hide is to mix himself with the throng of people in the karnabal. The police still managed to see him though and the chase is resumed.
Pekto long suspects that his wife Lucia is having an affair with another man(Delfin). It was proven one day when, upon arriving arriving at their house, he found that Lucia had eloped with Delfin.
All the images that appear herein and my earlier posts on are photographed from my collection of original comic art. I still don't have a big scanner that would fit originals with the size of 11 inches by 14 inches. Some of my Yandoc originals are super double splash pages (14x23 inches) that would take a lot of scanning to produce the whole image. So if you see that some of the images are a bit cropped or badly lighted, please let it be known that these images are not scans, but photographs of comic art originals. The originals themselves are well preserved and taken cared of in a smoke-free environment.
Here are some of the new finds for my ongoing research on Philippine comics and movies. Some are Filipino movie posters, ads, and flyers. I found that the best sources for these things are old Filipino movie-magazines called "Ilang-Ilang", "Silahis" and "Literary Song-Movie Magazine". All these magazines are now defunct, but my old folks told me they were very popular reading materials during their younger years.
I have recently been looking through my files of old Tagalog comics when I came across an old copy of Pilipino Komiks from the year 1956. The cover featured an artwork by my favorite illustrator, the great Francisco V. Coching, for his serialized graphic novel Gigolo.
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